Hand-Made Halloween :: Iron Man

I created this costume by hand. The only store-bought parts of this costume were the electronic components. The arc reactor in the chest and the right hand glove with the repulsor light were integrated into the design. Every other part of the costume was cut, shaped, glued, painted, and assembled by hand. I found templates for the basic design online but it didn't fit properly so I had to make adjustments to different parts for my son's body size. I documented the build process as it progressed over three months.

Kahlan - First Photos

I have yet to share all of my favorite sets with Kahlan. I have had limited shooting time with her, but each of our sessions has gone over two hours and produced hundreds of images from each. I have picked a few favorites in the past but was hesitant to share too much. I have gone back through many sessions and hope to be posting more models soon. This session was held on location in a bed & breakfast and offered a new depth I could not achieve since closing my studio.

The mirror came with the room

 I brought my camera and set the lighting, 

But it was Kahlan who brought life to the images. 

Dia de los Muertos :: A Do-it-Yourself Mask

While shopping a few weeks ago, I came across a flimsy Day of the Dead mask with an attached veil. I liked the concept of the piece, but I wasn't impressed with the execution. I wanted to make a mask using some of the skills I have developed over the years painting on canvas. I knew I had a blank white mask at home, as well as a section of black lace fabric. The rest of the build is pretty much just paint. The only item I had to purchase is the purple flowers attached at the very end. 

Playing with Light and Tattoos

After an open-call on facebook, I only had one taker for a free photo session for a person with tattoos. I wanted to play with different lighting scenarios to achieve some looks I hadn't attempted before. This setup was done in-home, in-dining room to be specific. I brought my backdrops, lights, and my box of props and we spent almost two hours mixing and matching different ideas.

Dramatic Lighting with Savanna

I took some time with Savanna to experiment with my studio lights, and explore new possibilities with light and shadow. I wanted to create new images that I hadn't thought of before. Since my space is limited, I rented a room in a reception hall that allowed me more ceiling height, and enough space all around to have lights, backdrops, and distance to allow me to pull my lights and model further from the background to create the effects I desired.

Living Room Studio ::: Family Portraits

After premature labor and delivery prevented us from holding a maternity photo session, we were finally able to schedule a family photo session when the baby was four months old. He was born two months early and stayed in the hospital for nearly as long. Two months after coming home he had his very first formal photo shoot. To keep things as simple as possible, I arranged to bring the studio to them in their own home. We moved the coffee table and a few chairs from the living room into the kitchen, and then I set up a fabric backdrop on one end of the room along with a few strobe lights to complete the location studio. 

I brought a few small props with me including the alphabet blocks which spelled out the names of the two boys, my small white step-ladder for sitting and climbing, and the soft white blanket used to photograph the baby. All this fits in the trunk of my car and is accessible for anyone who wants to schedule a session. I have more props, modifiers, and backgrounds which I can bring on a case-by-case basis, depending on the desired outcome of the photo shoot. If you are interested in scheduling a session with me, you can contact me by following the link below the photos. 

Headshot Lighting Setup

This session focused on the play of light and shadow as it travels across facial features. I have included a wide-angle setup shot for the final portraits with placement and modifiers labeled within the image. Power settings were adjusted up or down depending on the dramatic effect I was trying to achieve in each portrait. Please also note that the exposure settings for each setup shot may be altered from the finished portrait to allow for better visualization of the lights and modifiers within my shooting space.

My New Open-Air Studio

When I was arranging a portrait session with Dylan and Melissa, it became clear that we would be unable to find an indoor location to hold a photo shoot. I knew I wanted more that just natural light portraits, so I simplified my kit even further than usual to include two cameras, two lights, and a shoulder bag for my backdrop. My usual kit includes a hard case for holding my light modifiers and stands, a separate bag for backdrops, my backdrop stand bag, and my camera bag. An extra case for props can be brought along if the need arises. I still prefer the control an indoor space provides, but it is no longer a necessity. I can create a studio within minutes of arriving at a location.

We agreed to shoot in a local park along the river, and shot some portraits at a pond using the natural landscape as our background. For those shots, I alternated using one light, two lights, and all natural light. We then walked the nature trails until we found an area just off the main path with enough space to set up a backdrop without being interrupted by passers-by. A light-weight backdrop support  with a fabric backdrop and two lights created my brand new open-air studio. The part I like best about the images shot using this technique is that, until you see the wide-angle view, you wouldn't know the images were shot outdoors. Can you tell the difference?

I had a very simple setup for my lighting. I placed one light on my left hand side with a plastic diffuser that softens the light like an umbrella (without the bulk and kite-like behavior in the wind). My second light was set to my far right without a plastic diffuser, but using a blue gel coating that gives a coolness to the rim light you see on their hair and shoulders. With the shaded location, I was able to achieve very dramatic shadows by using the main light at a higher angle and from the side. The rim light helps to separate them from the black background and offer some definition on that side of the image. To amplify the dramatic look in some of their individual portraits, I turned off the rim light so that the shadow side of their faces merges with the background.

I have included several set-up shots taken during this session so you can see how I was able to achieve these looks. On the behind-the-scenes shots I also include a break down of my equipment and settings for anyone who is curious about my techniques.

Below are samples and behind-the-scenes shots from our first two shooting locations. We continued along the nature trail taking more shots along the way, but I will save those for another post.
Enjoy!

Fire Spinning

 

My brother, Joe, has recently taken up the hobby of fire spinning. To get these photos, I brought two strobes with me and put an orange colored filter over them to keep them from contaminating the orange glow of the fire with the traditional white light of a flash. I slowed down my shutter speed to allow the spinning of the ring of fire to show up in the exposure. A tripod is an absolute must for a session like this. I triggered my camera with a remote to eliminate any shake I might have caused by pressing the shutter manually. The spinning fire was exposed first, followed quickly by the flash to freeze his movements and so you can see who is doing the fire spinning. There were a few shots where the flash did not fire because I did not allow it enough time to fully recycle/recharge before the next shot. In those images, the flame is clearly visible, but his face is shrouded in darkness. I anticipated this effect, and like the effect it offers. I just wouldn't want an entire session shot this way.

Before we started shooting with fire (and before we lost daylight) I set the lights and adjusted the power on each unit to allow for the lighting effect that I wanted. I used a small strobe with a grid and orange filter above and behind where Joe would be standing. My second light was set inside my DIY strip light and placed to the right of my camera position. With the orange gel and the size of the light modifier, I had to push this flash up to full power. This also is what kept some of the shots from getting a full exposure. When the flash is set this bright, it takes longer for it to recycle. I also wanted to get the shutter speed right before we started playing with fire. Joe owns a double ended light saber replica, so we started spinning it and adjusting the shutter speed faster and slower to get different levels of light blur. We ended up in the range of 1/3 to 2/3 of a second. While that doesn't sound like its long enough, with the staff spinning it is long enough to create a full circle light blur.

Check out my favorites below including a bonus animation at the very bottom of the page: